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ARTISTIC STATEMENT

Most theatres are like mirrors, reflecting the familiar. You go to a show, you sit, you watch a play, and then you go home. You watch the actors from across the chasm of a "fourth wall." Everything is nicely laid out for you as you view what is comfortably, safely beyond that wall, confident that you will be made, indeed are expected, to understand the experience in terms of conventional logic.

Aren’t we all tired of that by now?

What if theatre weren’t a mirror reflecting the familiar, but an opening into unknown territory? What if there were no fourth wall? What if, instead of going to the theatre to watch a play, you crossed the threshold into the world of the play to experience it? Theatre that expands the imagination and extends the conventional boundaries of language, structure, space, and performance that challenges the conventional notions of what theatre is. What sort of theatre would this be?

We are convergence-continuum.

 
 The Reckless Ruthless Charge of It, or
THE TRAIN PLAY

by Liz Duffy Adams
directed by Clyde Simon

opening Fri, June 26
running Thu-Sat at 8 pm thru July 18

Late at night somewhere in America, on a train hurtling towards infinity, eight strangers meet. A twelve-year-old girl with the powers of a comic book heroine manipulates time and the lives of a jaded Earth Goddess, a horny physicist fleeing a terrifying truth she’s only glimpsed, a young man on the lam from predatory angels, a reluctant travel writer and three Russian brothers on a musical mission to America. While they ride, the destruction of the universe looms as they speed along a comic-poetic collision course with time, history and a supernatural climax!

Check out the full season on the *Season* link

 

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